The existence of faith's victory song in the congregation's sunday service at GKII Regional I Sulselbara

Esther Elmy; Rev. Christopher Luthy

doi:10.37196/mc.v12i1.110

Authors

Esther Elmy STFT Jaffray, Makassar
Rev. Christopher Luthy University of Divinity, Melbourne

DOI:

https://doi.org/10.37196/mc.v12i1.110

Keywords:

Congregational Worship, Nyanyian Selamat Iman (NKI), GKII Region 1, Contemporary Worship, Musical Dynamics

Abstract

The article investigates the evolution of Christian congregational worship, exploring the diverse musical landscape that includes psalms, hymns, and contemporary compositions. In the context of the Indonesian Gospel Tent Church (GKII), the "Nyanyayan Selamat Iman" (NKI), or "Victory of Faith Songs," stands out prominently, maintaining a significant role in Sunday worship. The study focuses on understanding the dynamics of NKI utilization within GKII Region 1, covering South Sulawesi and West Sulawesi. Specifically, it examines how NKI integrates into congregational worship practices amidst the rise of contemporary songs. Using a qualitative survey approach, the research delves into NKI's prevalence, significance, and contextual relevance in GKII Region 1. Data collection involves in-depth interviews with worship leaders and congregation members, along with an analysis of worship service recordings. Despite the influx of contemporary worship songs, the study uncovers a consistent demand for NKI within GKII's Region 1. Worship leaders and congregations stress the enduring spiritual and cultural significance of NKI in shaping the worship experience. The study concludes that NKI maintains a profound influence on GKII Region 1's worship practices, showcasing resilience amid changing musical preferences. Emphasizing the importance of preserving traditional hymns, the findings contribute valuable insights into the complex interplay between traditional hymns and contemporary worship songs in the Indonesian Christian context. The research serves as a foundation for future studies on the evolving landscape of religious musical practices.

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